Woodstock
By Joni Mitchell I came upon a child of God (1)
He was walking along the road
And I asked him where are you going
And this he told me
I'm going down to Yasgur's farm (2)
I'm going to join in a rock 'n' roll band
I'm going to camp out on the land
An' get my soul free (3)
(1)
Likely Mitchell was just using the term
“child of God” to describe the innocence of youth, as yet uncorrupted by
society. But she could have meant a more
specific reference. The Children of God
(COG) group was started in 1968 in Huntington Beach, CA, a year before the
Woodstock Festival. Many early COG converts were drawn from the hippie era and
Jesus Movement of the time. The group later changed its name to the Family of Love, The
Family and recently The Family
International. The Children of God created controversy with its
ideas of apocalypticism and revolution against the outside world that they call
"the System," along with its central tenet that true disciples must
drop out and "forsake all." Forsaking all literally entails
abandoning all responsibilities and cutting ties with any and all—job, school,
family, friends, and selling all that they have, handing over the entire
proceeds to the group. According to some accounts, women would use sex —
sometimes for pay — to show God's love, win converts and support the
organization. The media dubbed the women "happy hookers for Jesus."
The Family says the practice was discontinued in 1987.
(2)
Max Yasgur was the Bethel, NY farmer
whose land was used (willingly) for the Woodstock Festival, August 15-18,
1969. Max was a balding 49 year old with
glasses who took a lot of grief from his neighbors for enabling the festival to
be held in their community.
(3) The 1960s and the hippie movement was all
about “freedom” and “finding yourself.” There were no higher purposes to one’s
young life.
We are stardust (4)
We are golden
And we've got to get ourselves
Back to the garden (5)
(4) Secularist
and astronomer Carl Sagan referred to humans as “star stuff,” meaning we are
just the dust of the cosmos resulting from the Big Bang, nothing more or less. Sagan
claimed in his TV series, Cosmos, . . .”an extraterrestrial visitor examining the differences among human
societies would find those differences trivial compared to the similarities. We
are one species. We are star stuff harvesting star light. Our lives, our past
and our future are tied to the sun, the moon and the stars”
(5) Mitchell surely must have meant this as a
reference to the Biblical Garden of Eden, although for literary sake with certainly
no Christian theological intention.
Then can I walk beside you
I have come here to lose the smog (6)
And I feel to be a cog in something turning (7)
Well maybe it is just the time of year
Or maybe it's the time of man
I don't know who I am
But life is for learning (8)
I have come here to lose the smog (6)
And I feel to be a cog in something turning (7)
Well maybe it is just the time of year
Or maybe it's the time of man
I don't know who I am
But life is for learning (8)
(6) Environmentalism was fully intertwined with
the 1960s. Even though the first Earth Day would not be celebrated until 1970,
the environmental movement and concerns for air and water pollution were coming
to the forefront by 1967 and 1968. Sanford Biologist and author Paul Ehrlich
warned about over population and other pending doomsday scenarios in his very
wide-read 1968 Population Bomb.
(7) Common theme of the 1960’s youth: searching to
be an individual and not a society cog (like the older generation).
(8) Supposition: only by “experiencing life” can
we learn. Books, history, current society were all secondary or antithetical to
this experiencing life.
We are stardust
We are golden
And we've got to get ourselves
Back to the garden
By the time we got to Woodstock
We were half a million strong (9)
And everywhere there was song and celebration
And I dreamed I saw the bombers
Riding shotgun in the sky
And they were turning into butterflies
Above our nation (10)
We are golden
And we've got to get ourselves
Back to the garden
By the time we got to Woodstock
We were half a million strong (9)
And everywhere there was song and celebration
And I dreamed I saw the bombers
Riding shotgun in the sky
And they were turning into butterflies
Above our nation (10)
(9) Probably an accurate estimate of attendees.
Mitchell herself passed up the chance to go to Woodstock when her manager
convinced her to do the Dick Cavett talk show instead. Mitchell wrote this anthem
to the festival sitting in a New York City hotel room.
(10) The Viet Nam war saw an extensive use of high
altitude jet bombers, such as the swept wing B-52. This was also the height of
the Cold War with continuous threats of waves of Russian bombers delivering
nuclear bombs to our shores.
We are stardust
Billion year old carbon (11)
We are golden
Caught in the devil's bargain (12)
And we've got to get ourselves
back to the garden
Billion year old carbon (11)
We are golden
Caught in the devil's bargain (12)
And we've got to get ourselves
back to the garden
(11) Since matter can be neither created nor
destroyed, technically we’re at least as old as our Earth – some 4.54 billion
years old. Either way, Joni doesn’t look her age.
(12) n.) Devil's bargain: An extremely bad deal,
with a terrible price to pay, which someone considers accepting because they
can see no other way out of a truly horrible situation. Faust, in the legend,
traded his soul to the devil in exchange for knowledge. To “strike a Faustian
bargain” is to be willing to sacrifice anything to satisfy a limitless desire
for knowledge or power.
1 comment:
I didn't go to Woodstock, because I was doing the hippie dropout eco-activist thing in Berserkeley that suumer. I saw people hitchiking on Berserkeley's University Avenue with "Woodstock" signs. In those days you could hitch coast to coast in 72 hours, if you hit the rides right. I did.
I know of two peers from my NE hometown who went to Woodstock. One later became a local cop. The other was depressed by all the mud et al, and ended up drawing sketches of feet, as I recall. She ended up an artist who has exhibited in NYC galleries, but having an affluent husband has somewhat reduced her incentives to produce paintings, I am told.
I was at Altamont. I was too far from the stage to see the killing.
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